Them remaking star wars: "Yeah so we thought it was kinda silly that Luke initially refuses to join the rebellion, didn't seem very heroic, so we changed that. Same goes for Han solo seemingly leaving his friends behind. Also it was super mean of him to respond 'I know' to Leia's 'I love you' it just didn't make sense"

lol we gave a narrative compulsion to a character who had a drive that was largely centered around not wanting the responsibility and fear of failure.

They seem to have forgotten that Aang was barely a teenager when he was told "Hey, kiddo, you're the chosen one!" "So you've gotta stop being a kid and be an adult immediately."

Then later learns that him doing what makes total sense (and is objectively a correct action) as a kid, not wanting to take on the scary responsibilities of adulthood when they're still literally a child, winds up with everybody/thing he remembers with love and fondness were brutally destroyed.

"you were gone for 100 years and war broke out!"

"I see you, I hear you, you're valid"

Its wild to me. it's almost like going "Moby Dick is a story about a man trying to catch a whale, but for some reason the author wasted a bunch of time on other stuff. In our remake we're only gonna show what matters: That bit where the whale drags him under."

Or really just "we're gonna cut to the bone and show the only thing that matters: The climax".
Did this producer grow up watching vines exclusively?

"Avatar is about fighting fire lord ozai, so we've cut everything that isn't the fight"

Because character development is slow and boring and gets in the way of the ~~ spectacle ~~ that Netflix audiences want. Character development is for children. Adults demand non-stop action and ironic quips.

Filler episodes are good

They have at least 7 producers announced so far for the first season of 8 episodes. There's an obsession of the Hollywood Gen X nepobabies to always get as many eyes on and hands writing as possible for all content, which invariably makes a good show impossible to create.

Writer's rooms are often so packed they often have a revolving door of people of writers each writing different episodes at the same time, no longer using smaller writing teams because the production timeline is so tight, but because there literally isn't enough room for all these writers to be in one space. These teams are no longer just 3-4 writers out of the group, but often over a dozen people. They don't meet to communicate with the other writers in a large group because how do you have a pitch meeting or a script review with 100 people? You can't, so you only bring them on for maybe 2 episodes and then they leave.

The new live action Star Trek series are notorious for being pretty bad and for having more writers and producers than they have episodes. Why did Star Trek Picard need over 60 producer/writers to make 30 episodes? (many of whom had so little creative control over the final product that they don't even get listed on the wikipedia or IMDb page) Why did Discovery have about 90 people writing 65 episodes?

You need some level of consistency on your show and a handful of writers committed to making the content consistent in its narrative tone and storytelling style. The "many hands" model neither makes the work lighter nor produces quality content, yet it remains a foregone conclusion in Hollywood production under Gen X producers.

TL;DR: Too Many Cooks.

As is tradition

The thing that tipped me off is that they are making a live action Airbender series

Prolly had a vision about that too

"Why wouldn't this traumatized 10 year old child rush across an unfamiliar world to immediately become a super-weapon in someone else's war literally subjective hours after his entire people and culture were destroyed in a super-naturally empowered genocide?"

It reads like they're trying very hard to justify cutting all the "unimportant" episodes where we slowly have the characters better understand each other and the world was better fleshed out. All so that the new show can be 10 episodes a season.

Remaking things has never appealed to me, I don't get it, I have the original good thing on my shelf, i will watch it as I want. Your new thing seems like yoy wanted money but didn't want to risk making something new. Cowardly producers want more money but are so afraid of producing a thing that isn't instantly popular.

The original writers are making more Avatar shows and books and stuff, but for some reason someone decided to let Netflix make this shit

Also "mature" apparently means "they swear now" to these people lol. What're the odds we'll see some gratuitous sex scene?

Because Game of Thrones was very popular and made lots of money. That's all these people and the executives they work for understand.

Yeah some guy wrote a book about a dude with a thousand faces and he refuses to call a bunch of people too :ricky:

But still liberal so the magic punisher will refuse to kill the fascist dictator but instead just metaphorically take away his soul and literally imprison him for life in a dark cell below ground, which is much better.

Asian-coded MCU slop. I'd bet money on it.

Making the plot dependent on “it was a dream” is as lazy and cliche at the beginning of the story (to drive the plot) as it is at the end (to explain away all issues and ties up all loose ends)