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submitted 3 weeks ago by [email protected] to c/[email protected]

FreeSewing is open source software to generate bespoke sewing patterns, loved by home sewers and fashion entrepreneurs alike.

Mastodon instance: FreeSewing.social

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submitted 4 weeks ago by [email protected] to c/[email protected]
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submitted 1 month ago by [email protected] to c/[email protected]

A Database of Foods, Drugs, Dyes and Fibers of Native American Peoples, Derived from Plants.

A good companion: https://native-land.ca/

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submitted 1 month ago by [email protected] to c/[email protected]
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submitted 1 month ago by [email protected] to c/[email protected]

Huffin' the flowers has been a huge stress relief here in the Southeastern USA Plains.

The shrub on the right is buttonbush (Cephalanthus occidentalis). Flowers are: orange coneflower (Rudbeckia 'goldsturm'), sweet Joe-Pye (Eutrochium purpureum), anise hyssop (Agastache foeniculum), pokeberry (Phytolacca americana), and catmint (Nepeta × faassenii).

Closer to the ground there's: wood sorrel (Oxalis sp.), three seeded mercury (Acalypha rhomboidea) and blue violets (Viola sororia). The empty space has wild stawberry (Fragaria virginiana) slowly creeping and a young little bluestem (Schizachyrium scoparium).

The image below shows the opening of the rain garden where the runoff enters. Plants are 4 - 5 inches max. Here there's: Virginia pepper (Lepidium virginicum), blue violet (Viola sororia), wood sorrel (Oxalis sp.), nimblewill (Muhlenbergia schreberi), prostrate spurge? (Euphorbia sp.).

Also seen: white clover, creeping cinquefoil, and Bermuda grass.

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submitted 2 months ago by [email protected] to c/[email protected]

In short, this is a proposal for an abolition of compulsory work for all beings. It involves rewilding at least 75% of the Earth with guidance from local and Indigenous communities, and ensuring that the remainder of the planet “abolish[es] the wage system, and live[s] in harmony with the Earth” as proposed by the Industrial Workers of the World (IWW) (2021).

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submitted 2 months ago by [email protected] to c/[email protected]

"Tarot & Acid Communism" Live at Tenderbooks in London

The launch party for 'The Philosopher's Tarot' at Tenderbooks in London on November 23, 2022.

Acid Horizon's first live event extends Mark Fisher's concept of 'acid communism' through prominent figures featured in the work of the podcast.

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submitted 2 months ago by [email protected] to c/[email protected]

n her 2016 Edward W. Said lecture, Naomi Klein examines how Said's ideas of racial hierarchy, including Orientalism, have been the silent partners to climate change since the earliest days of the steam engine, continuing to present day decisions to let entire nations drown and others warm to lethal levels. The lecture looks at how Said’s bold universalist vision might form the basis for a response to climate change grounded in radical inclusion, belonging and restorative justice.

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submitted 2 months ago by [email protected] to c/[email protected]

The Association of Space Explorers reached out to their fellow astronauts to pass on a simple message of solidarity, hope and collaboration to combat climate change and reach our political leaders during such a crucial time.

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"Gravity and Grace" by Simone Weil (theanarchistlibrary.org)
submitted 2 months ago by [email protected] to c/[email protected]

Simone Weil (1909 — 1943) was a French philosopher, labor activist, ascetic and mystic.

The author of the introduction, Gustave Thibon, shares the circumstances of his meeting Weil:

In June 1941 the Reverend Father Perrin, a Dominican friend then living at Marseilles, sent me a letter which I do not happen to have kept but which ran more or less as follows: ‘There is a young Jewish girl here, a graduate in philosophy and a militant supporter of the extreme left. She is excluded from the University by the new laws and is anxious to work for a while in the country as a farm hand. I feel that such an experiment needs supervision and I should be relieved if you could put her up in your house.’

Thibon later shares how he gained possession of Weil's writings which would become Gravity and Grace:

I saw her for the last time at the beginning of 1942. At the station she gave me a portfolio crammed with papers, asking me to read them and to take care of them during her exile. As I parted from her I said jokingly, in an attempt to hide my feelings: ‘Goodbye till we meet again in this world or the next!’ She suddenly became serious and replied: ‘In the next there will be no meeting again.’ She meant that the limits which form our ‘empirical self’ will be done away with in the unity of eternal life. I watched her for a moment as she was disappearing down the street. We were not to meet again: contacts with the eternal in the time order are fearfully ephemeral.


The Philosophize This! podcast has a four part introductory series on Simone Weil (with transcripts). There are short videos from this series on their clips channel on YouTube.

The Talk Gnosis podcast hosted a discussion about Weil's work featuring two poets.

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submitted 2 months ago by [email protected] to c/[email protected]

17 years ago, I was amazed by the incredibly loud pulsing chorus of cicadas in my backyard. I improvised this tune that I had to name "The Cicada Reel". I recorded the tune a year later on "Journey to the Heartland" (Maggie’s Music, 2005). And the cicadas are back in full force. Shortly after I recorded this video, they hit 93 dB’s. So here it is again: The Cicada Reel, played on a Dusty Strings D670 with dampers.

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submitted 2 months ago by [email protected] to c/[email protected]

Ways of Seeing is a 1972 BBC four-part television series of 30-minute films created chiefly by writer John Berger and producer Mike Dibb. Berger's scripts were adapted into a book of the same name. The series and book criticize traditional Western cultural aesthetics by raising questions about hidden ideologies in visual images. The series is partially a response to Kenneth Clark's Civilisation series, which represents a more traditionalist view of the Western artistic and cultural canon.

CW: Around the 20 minute mark, footage of an execution is briefly shown.

Related essays can be found on ways-of-seeing.com

[-] [email protected] 8 points 2 months ago

I grew up on concrete with streets peppered by exotic callery pear and feral pigeons. It wasn't until a friend moved to a neighborhood with big yards (for the city, anyway) that I saw cardinals, bluejays, cottontails, foxes, and nights lit up by fireflies.

I live close to that neighborhood now and the streets here are lined with willow oak, black cherry, and sycamore. So many woodland creatures and cool bugs, some of which are recorded on iNat.

But go a mile south to a redlined neighborhood and the canopy is sparse to none. The streets are lined with empty tree wells, usually sloppily paved over. Some years ago, the police installed bright white spotlights and surveillance cameras. Absolutely brutal stuff.

[-] [email protected] 6 points 4 months ago
[-] [email protected] 5 points 5 months ago

I never took care of the lawn other than mowing it, so much of this stuff was already here in small amounts. Two years ago, I started dividing up the violets and planting them into the grass. They launch seeds up to 4 feet so they quickly spread, clump and bully the grass. Ants move the seeds around too. Last year, I started dividing and transplanting the nimblewill. Panicled aster and late boneset volunteered which pushed out some more.

There's still plenty of grass closer to my neighbor who treats their lawn. Some I buried in woodchips, the rest I'd like to shade out with edibles and dig out for another rain garden.

[-] [email protected] 18 points 5 months ago

If nobody got me, I know Chesapeake Bay Watershed got me 🙏 Can I get an amen?

[-] [email protected] 10 points 7 months ago

Baltimore City has an adopt-a-lot program, allowing residents to use vacant lots for urban agriculture or community projects. However, as stated in point 3, it can be difficult to keep them going long term:

One farmer, Rich Kolm, said urban farms in Baltimore are playing several critical roles: They are community centers, educational hubs and fresh food producers in food-insecure neighborhoods.

Kolm has overseen three separate farms on adopted land in the city, and now he works as a contractor to those attempting to do the same. Though he commended the city’s low-cost water access service that accompanies lot adoption, he said people may not want to start a farm under the program if the land could be taken away.

“The whole idea of agriculture is that you’re building something,” said Kolm. “The only way to do it well is to make it permanent. But the city’s attitude is that urban agriculture might be a means of raising property values so much so that the agriculture gets kicked off the site.”

[-] [email protected] 5 points 7 months ago

The staff members that are assigned incarcerated workers often appear to act as if the humanity of these workers begins and ends with their labor. Once, an educator I worked for entered a hallway full of residents and said, “My God, I just wish I could load you all up in a bus and take you to my house.” Everyone smiled, some cheered until she continued: “I need so much work done in my yard. Y’all could fix it right up.”

Having worked in social services, dehumanizing clients was not an uncommon practice. My former clients were not incarcerated but seniors in low income housing. The mentality was the same, like something had to be inherently wrong in a person to end up on the other side of the desk.

Thank you for sharing. After reading, I found a local group working on food justice and prison abolition.

[-] [email protected] 7 points 7 months ago

Carol J Adams - The Absent Referent

In The Sexual Politics of Meat, I took a literary concept, “the absent referent,” and politicized it by applying it to the overlapping oppressions of women and animals. I explained it this way:

“Behind every meal of meat is an absence: the death of the animal whose place the meat takes. The absent referent is that which separates the meat eater from the animal and the animal from the end product. The function of the absent referent is to keep our ‘meat’ separated from any idea that she or he was once an animal, to keep the ‘moo;’ or ‘cluck’ or ‘baa’ away from the meat, to keep something from being seen as having been someone. Once the existence of meat is disconnected from the existence of an animal who was killed to become that ‘meat,’ meat becomes unanchored by its original referent (the animal), becoming instead a free-floating image, used often to reflect women’s status as well as animals’. Animals are the absent referents in the act of meat eating; they also become the absent referent in images of women butchered, fragmented, or consumable.”

“There are actually three ways by which animals become absent referents. One is literally: as I have just argued, through meat eating they are literally absent because they are dead. Another is definitional: when we eat animals we change the way we talk about them, for instance, we no longer talk about baby animals but about veal or lamb. As we will see even more clearly in the next chapter, which examines language about eating animals, the word meat has an absent referent, the dead animals. The third way is metaphorical. Animals become metaphors for describing people’s experiences. In this metaphorical sense, the meaning of the absent referent derives from its application or reference to something else.”

[-] [email protected] 14 points 8 months ago* (last edited 8 months ago)

The above map doesn't include fishing, it's showing land use. This shows fishing:

Here is another one about land animals:

[-] [email protected] 7 points 8 months ago

Honey bees were domesticated, selectively bred like all other livestock, to be more docile and dependent. The relationship you describe was created by humans for the benefit of humans.

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quercus

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