First rest day of the Giro d'Italia, what's on your mind and what have you been watching? It doesn't have to be Giro-related, Itzulia Women and Tour de Hongrie just wrapped up too. Heck, if you want to talk gravel or MTB, that's cool, I hear Lucinda Brand is tearing it up on gravel, and the MTB World Cup is still going on in Brazil.

Description: Panel 1: A man sits inside a house at a table or desk, looking at his laptop screen while participating in a video conference call with 9 or more participants. There is a window in the background with the sun in the sky. The man holds up his hand and tells the other participants on the call, "Excuse me everyone, sorry to interrupt . . ." Panel 2: The man looks away from the laptop screen towards the open window and the sky outside. He tells the video conference participants "I have the sunshine on the other line." Panel 3: The man leaves his seat, apparently abruptly, as the chair is knocked over, while the screen is still on and shows the video call participants. The man walks towards an open door, where a backpack sits at the doorway. He looks outside as he says over his shoulder "I have to take this call." Panel 4: The man is wordlessly walking over a hill, with grasses and bushes in the foreground and trees in the background, wearing the backpack, following the sun and not looking back.

Comic by Jeremyville.

When Bloomberg reported that Spotify would be upping the cost of its premium subscription from $9.99 to $10.99, and including 15 hours of audiobooks per month in the U.S., the change sounded like a win for songwriters and publishers. Higher subscription prices typically equate to a bump in U.S. mechanical royalties — but not this time.

By adding audiobooks into Spotify’s premium tier, the streaming service now claims it qualifies to pay a discounted “bundle” rate to songwriters for premium streams, given Spotify now has to pay licensing for both books and music from the same price tag — which will only be a dollar higher than when music was the only premium offering. Additionally, Spotify will reclassify its duo and family subscription plans as bundles as well.

It was somewhere in the roundabouts on the outskirts of Lucca that despair began to take hold.

As the Giro d’Italia headed into the birthplace of Mario Cipollini, the race’s all-time leader in stage wins, a four-rider breakaway was up the road, and the sprinters’ teams had marshalled behind for the chase. But something was wrong. A manageable gap, some 45 seconds at the 10 km-to-go mark, wasn’t dropping.

Lidl-Trek threw its full might into the chase for stage 4 winner Jonathan Milan, driving a classic HTC-High Road style train, but as the kilometers ticked by, the gap stayed stubbornly in place. GPS-based time gaps can be of questionable accuracy, but whatever the actual number, the main problem for the chase was that number wasn’t changing.

Depleted or just discouraged, Milan’s teammates disappeared from the front, the Maglia Ciclamino swarmed by a hodgepodge of riders from Soudal-Quick Step, Visma-Lease a Bike, and other sprint hopefuls. No matter, the gap still didn’t budge much, and in the end the break held off the pack by a comfortable 11 seconds, denying the sprinters a crucial chance at a stage win.

There are lots of reasons to want to shut off your car’s data collection. The Mozilla Foundation has called modern cars “surveillance machines on wheels” and ranked them worse than any other product category last year, with all 25 car brands they reviewed failing to offer adequate privacy protections.

With sensors, microphones, and cameras, cars collect way more data than needed to operate the vehicle. They also share and sell that information to third parties, something many Americans don’t realize they’re opting into when they buy these cars. Companies are quick to flaunt their privacy policies, but those amount to pages upon pages of legalese that leave even professionals stumped about what exactly car companies collect and where that information might go.

So what can they collect?

“Pretty much everything,” said Misha Rykov, a research associate at the Mozilla Foundation, who worked on the car-privacy report. “Sex-life data, biometric data, demographic, race, sexual orientation, gender — everything.” . . .

Video of finish: https://www.youtube.com/watch?v=RF1X7wH4WdQ

Just like Florida Georgia Line itself, the bro-country duo’s Nashville bar is kaput. FGL House, which first opened its doors in June 2017 with a ribbon cutting by members Tyler Hubbard and Brian Kelley, has closed and will be replaced by a new Lainey Wilson venture.

The shuttering of FGL House marks the first country-star branded bar of the modern era to close in Nashville. TC Restaurant Group, which operates bars by the likes of Luke Bryan, Jason Aldean, Miranda Lambert, and, formerly, Florida Georgia Line, will partner with Wilson to create Bell Bottoms Up.

Wilson announced the opening of Bell Bottoms Up, set for this summer, on Tuesday. “I’ve always wanted to create a destination for all my fans to visit and create new memories at, in the heart of Country music city. So, to have a permanent destination in Nashville, is such a dream come true,” she said in a statement. “I can’t wait for all my Wild Horses to get to experience my home away from home.”

Wilson’s entre into Nashville’s Lower Broadway is a welcome bit of female representation in an entertainment district dominated by bro bars. (Morgan Wallen will open his “This Bar” over Memorial Day weekend.) It’s also the latest in a string of high-profile announcements for the reigning CMA Entertainer of the Year: Her single “Wildflowers and Wild Horses” went Number One at country radio this week, she launched a collaboration with Coors Light, and she joined Keith Urban on his new song “Go Home W U.”

NEW YORK — Major League Baseball commissioner Rob Manfred made one thing clear: An MLB expansion team is not coming to Nashville — or anywhere — anytime soon.

Manfred said during his annual meeting with the Associated Press Sports Editors group at MLB offices Monday that he anticipates having an expansion process in place by 2029, when his term as commissioner ends.

Add in the time needed for the process to play out, time for a stadium to be built or brought to MLB standards, and you're talking at least another couple of years beyond 2029.

Manfred balked when asked specifically about the viability of Nashville as a candidate for expansion.

"I have never identified particular cities as targets," he said. "We need an Eastern time zone and either a Mountain or Western time zone (city), just in terms of making the format work in the best possible way.

"I truly believe we're going to have multiple candidates in both categories."

Demi Vollering (SD Worx-Protime) sealed a dominant overall win at the Vuelta Femenina with a comprehensive victory on the final mountain stage to the summit of the Valdesquí ski resort.

The race leader attacked with 6.5km to go and immediately put all of her rivals in difficulty before soloing clear to take her second stage win of the race, with both coming at summit finishes.

The Dutch rider held her lead all the way to the finish to win alone and seal the first Grand Tour of the 2024 season.

Évita Muzic (FDJ-SUEZ) finished second on the stage, 29 seconds down, with Riejanne Markus (Team Visma-Lease a Bike) crossing the line four seconds later.

Elisa Longo Borghini (Lidl-Trek) came into the stage sitting second overall but was dropped as soon as Vollering put the hammer down. The Italian was put into the red and despite battling back through the final stages of the race she was unable to hang onto second overall, slipping to third at two minutes back, with Markus' consistency rewarded with second overall at 1:49.

The final climb to the ski resort was an epic battle between the best GC riders in the world with FDJ-SUEZ gunning for another stage win in the race and a possible podium spot for Muzic. Grace Brown was pivotal in the French squad's tactics as she set a furious pace on both of the day's climbs and she whittled down the front group to just a dozen or so riders.

However when Vollering accelerated Muzic and Markus were the only riders able to truly follow and they too were distanced due to the relentless pace of the SD Worx-Protime rider.

“It’s really nice, the team did a really good job the whole day. I was a bit nervous, because this last climb, I thought it wasn’t so super hard. It’s difficult because of the headwind and it’s not super steep," Vollering said at the finish.

"There was one part where we turned a bit and went in the back so there I thought I need to attack, and I need to make sure I have a gap so the rest will have a headwind to chase me back. I could extend my gap and stay out so I’m really happy to win this stage. It’s really nice to finish it off like this. We did a really good tour here, some podiums and two stage wins, so I think we can be very proud of ourselves."

Each moment the team has left Vollering to fend for herself could be written off in isolation, but as they continue to mount up, scrutiny of the team’s treatment towards the Tour winner will only get louder, and each moment will be picked apart.

Perhaps everything will become clear soon, and the situation during stage six was just miscommunication, but if it smells like a duck and walks like a duck … All we can hope is that Vollering’s contract negotiations are sorted soon and the Dutch national champion can focus on her job, but by golly, the SD Worx-Protime team bus can’t be a fun place to hang out at the moment.

Demi Vollering set a blistering pace up the only categorized climb of the day during Stage 6 of La Vuelta España Femenina, but it wasn’t enough to shake FDJ-Suez’s Évita Muzic who came around the SD Worx-Protime rider to win the stage. Yara Kasteijn (Fenix-Deceuninck) finished third 15 seconds behind.

Vollering extended her lead on Lidl-Trek’s Elisa Longo Borghini in the overall classification to 56 seconds, and Riejanne Markus (Visma-Lease a Bike) was able to gain a few seconds on Longo Borghini and hold third overall, 1:14 behind Vollering.