this post was submitted on 28 May 2024
258 points (95.7% liked)

Today I Learned

17770 readers
920 users here now

What did you learn today? Share it with us!

We learn something new every day. This is a community dedicated to informing each other and helping to spread knowledge.

The rules for posting and commenting, besides the rules defined here for lemmy.world, are as follows:

Rules (interactive)


Rule 1- All posts must begin with TIL. Linking to a source of info is optional, but highly recommended as it helps to spark discussion.

** Posts must be about an actual fact that you have learned, but it doesn't matter if you learned it today. See Rule 6 for all exceptions.**



Rule 2- Your post subject cannot be illegal or NSFW material.

Your post subject cannot be illegal or NSFW material. You will be warned first, banned second.



Rule 3- Do not seek mental, medical and professional help here.

Do not seek mental, medical and professional help here. Breaking this rule will not get you or your post removed, but it will put you at risk, and possibly in danger.



Rule 4- No self promotion or upvote-farming of any kind.

That's it.



Rule 5- No baiting or sealioning or promoting an agenda.

Posts and comments which, instead of being of an innocuous nature, are specifically intended (based on reports and in the opinion of our crack moderation team) to bait users into ideological wars on charged political topics will be removed and the authors warned - or banned - depending on severity.



Rule 6- Regarding non-TIL posts.

Provided it is about the community itself, you may post non-TIL posts using the [META] tag on your post title.



Rule 7- You can't harass or disturb other members.

If you vocally harass or discriminate against any individual member, you will be removed.

Likewise, if you are a member, sympathiser or a resemblant of a movement that is known to largely hate, mock, discriminate against, and/or want to take lives of a group of people, and you were provably vocal about your hate, then you will be banned on sight.

For further explanation, clarification and feedback about this rule, you may follow this link.



Rule 8- All comments should try to stay relevant to their parent content.



Rule 9- Reposts from other platforms are not allowed.

Let everyone have their own content.



Rule 10- Majority of bots aren't allowed to participate here.

Unless included in our Whitelist for Bots, your bot will not be allowed to participate in this community. To have your bot whitelisted, please contact the moderators for a short review.



Partnered Communities

You can view our partnered communities list by following this link. To partner with our community and be included, you are free to message the moderators or comment on a pinned post.

Community Moderation

For inquiry on becoming a moderator of this community, you may comment on the pinned post of the time, or simply shoot a message to the current moderators.

founded 1 year ago
MODERATORS
top 38 comments
sorted by: hot top controversial new old
[–] [email protected] 41 points 5 months ago* (last edited 5 months ago) (2 children)

Why are people focusing on the numerical comparison between writers and billionaires? Whatever, it doesn't really matter.

The point of the article is that writers and authors are seemingly less valued than they ever have been. One reason for this is probably the change in media consumption habits which renders writers mere employees and underlings in the film and television industries (along with everywhere else). People no longer read books, which are the main format by which writers can become self-employed and self sufficient.

As always, it comes back to the homogenizing aspect of capitalism which tends to absorb everything into an interconnected web of economic dependencies. Instead of small businesses, we have overarching retail behemoths like Walmart and Amazon. Similarly, instead of a multitude of independent writers and authors expressing their own thoughts in books, they are compelled to work in teams to construct artificial, corporatized narratives due to economic necessity, yielding film franchises and television series along with all of their advertising and merchandising income.

[–] [email protected] 11 points 5 months ago (2 children)

Yeah. I mean the article could be right or wrong, although it seems to me at first glance to be plausible + relevant. But the number of people coming out to just purely jeer at the conclusions like "FUK U THERES PLENTY OF WRITERS THIS DUDE IS RONG, CITATION: MY DICK" -- no real attempt to disagree with anything he's saying other than that they don't like it -- is distressing to me.

[–] [email protected] 8 points 5 months ago (1 children)

Eh it's fine, everyone on the internet likes to take the opportunity to correct an argument that they think is wrong, even if just on a technicality. I don't think the author of this piece needed to focus so much on the numerical comparison with billionaires either. If anything, they could have focused more on the historical compensation of writers to make a more compelling argument. Maybe try to find book sales and compensation from the past few centuries and see how they compare.

[–] [email protected] 8 points 5 months ago

Yeah, I get that, I think that's probably more why it's provoking resistance; he phrased it deliberately provocatively and wound up excluding some avenues that still produce books and people making a living (like working as an academic / teacher and also doing writing). It just kinda irritated me like, hey, I can draw a really strong and surprising conclusion from this data, and people's reaction "that conclusion is surprising" -> "therefore is wrong" -> "no need to look further, I figured it out for you and corrected you, that was easy next pls"

[–] [email protected] 3 points 5 months ago (1 children)

The part that isn't mentioned in this article is the onus of marketing. Now that anyone can self publish with almost no overhead, more than a million books are published every year. How many of those even get noticed? Sometimes it feels like people see the same 10-20 books on the bestseller list (which is gameable btw) and think that's all there is to read.

These days, traditional publishers don't do any marketing on behalf of authors unless they feel it's a sure thing, similar to how they give out advances. If you are already famous or have large social media following, you're far more likely to get an advance or a marketing effort. Everyone who self publishes, and even most who are traditionally published, have to do their own marketing. Most writers are not marketers, and this is where they fail, no matter how good their book might be.

Personally, I think the big publishers will collapse soon and the whole industry might move to a subscription model ala Spotify. That would probably be worse for writers, but no one seems to be able to come up with a solution that makes book writing a more viable career.

[–] [email protected] 1 points 5 months ago

Yeah. The social contract used to be that the publisher would do marketing, editing, layout, and physical production, and the author would make the words, and they worked in partnership so they could both make a living.

Now, the author does marketing, editing, and makes the words, and bargain basement third parties do layout and physical production, and the publisher sits in their office chair screaming into their headset "MORE, MORE, I WANT MORE, IT'S NOT ENOUGH", thinking that if they can just shave the margins a little thinner and increase the already-bloated salaries they draw for doing literally nothing, then it'll finally fill the gaping chasm deep within them.

[–] [email protected] 9 points 5 months ago (1 children)

People no longer read books?

[–] [email protected] 4 points 5 months ago (1 children)

Unfortunately not. And even the few people who do still read books are much less likely to purchase a physical copy.

[–] [email protected] 5 points 5 months ago

Well, true on the physical copy. I love my audio books and e-ink reader.

[–] [email protected] 26 points 5 months ago* (last edited 5 months ago)

This article has some elements of truth, but skips over some important stuff. In particular, the odds of making a living writing books when on salary, writing the books for a big company or celebrities etc, are vastly higher than just writing your own books. You don't have to beat insane odds if someone hires you for 70k/year to write books...you simply make that 70k/year. It's the same as e.g. people working in the video game industry. The odds of earning a middle class income as an Indie Game developer are super bad, but there are many thousands of people working salaried jobs in the mainstream AAA game industry who are definitely 'making a living'.

Also, this is nothing new. There is a reason 'starving artist' is a common term. For centuries, a lot of the most well known people in all creative fields were people who already had money when they started e.g. nobility, and some of those people were able to become famous, largely because they didn't have financial pressures that the vast majority of people had.

[–] [email protected] 24 points 5 months ago (2 children)

Piers anthonys advice for becoming a professional writer was having a spouse who works. He pretty much gives his first wife the credit for his success (she passed away, they did not get divorced)

[–] [email protected] 4 points 5 months ago (1 children)

You can use the term "late wife" to avoid ambiguity.

[–] [email protected] 1 points 5 months ago

yeah. on hindsite I feel sorta foolish as that term is used pretty often.

[–] [email protected] -4 points 5 months ago
[–] [email protected] 21 points 5 months ago* (last edited 5 months ago) (1 children)

Art doesn't pay. Capitalism ~~can't exploit it as much as manual labor~~ exploits it more than anything else so there's no money in it, unfortunately. On top of that, we have to constantly deal with people demeaning artists as useless and trying to bury us in favor of celebrities.

(Not a writer, but an artist nonetheless)

[–] [email protected] 5 points 5 months ago (1 children)

Capitalism can't exploit it as much as manual labor so there's no money in it, unfortunately.

Doesn't that mean that art is exploited even more?

[–] [email protected] 3 points 5 months ago

Actually yeah, you're right

[–] [email protected] 21 points 5 months ago (2 children)

Given the respective numbers of professional book writers and billionaires, I doubt it very much.

[–] [email protected] 21 points 5 months ago* (last edited 5 months ago) (1 children)

I am sure there are many more people who are writing books than who are billionaires. His point was, how many are making a living at it as their primary career.

Did you read his breakdown? He made a pretty compelling case that that number is about 500.

[–] [email protected] 4 points 5 months ago* (last edited 5 months ago) (1 children)

Frankly the whole article is just bizarrely defining metrics to fit the narrative.

[–] [email protected] 5 points 5 months ago (3 children)

Well, you’re just stating your narrative, with 0 metrics; why is that any better?

[–] [email protected] 7 points 5 months ago

My metric is based on “how many bizarre metrics are in this article”.

[–] [email protected] 3 points 5 months ago* (last edited 5 months ago) (1 children)

Because they didn't write an article, they're just critiquing one.

[–] [email protected] 3 points 5 months ago

"Critiquing" is a pretty charitable description

[–] [email protected] 3 points 5 months ago (1 children)

Just one then, there are 43 billionaires in France (https://en.m.wikipedia.org/wiki/List_of_French_billionaires_by_net_worth).

And there are around 40 people in the French Academy alone. That's only a small part of French writers.

And 43 billionaires is a rather big number. Compared to Pakistan or Colombia where the comparison would be even more skewed.

[–] [email protected] 12 points 5 months ago* (last edited 5 months ago) (2 children)

Just looking down the list of academy members and grabbing some at random I see:

  • Claude Dagens, 84-year-old priest
  • Dany Laferrière, working writer who lives in Miami
  • Jean-Luc Marion, retired professor
  • Andreï Makine, working writer
  • Christian Jambet, philosopher, IDK what he does to pay the bills but his last published work was an essay in 2016

It looks to me like 20% of the part of the list I examined is made up of working writers in France, i.e. one of five. So extrapolating out, we know somewhere in France there are 8 well-known people in this one group who make a living just on writing. I don't know that that means that it is hard to make a living as a writer, but it definitely isn't an argument that it isn't hard to any particular level to make a living as a writer.

Again: The argument is not that writers don't exist, it is that it is a real difficult (like astronomically difficult) field to break into and make a full-time living at. I don't know why that statement is provoking this incredible level of resistance -- maybe because he phrased it so provocatively, I guess, and ignored some plausible ways you can work as an academic and also do writing and the two can support one another, which okay, fair play -- but regardless of that if you didn't like that guy's fairly detailed metrics, and instead are holding up this as your argument, I think you need to try again.

[–] [email protected] -2 points 5 months ago (1 children)

You're really getting out of your way to miss my point. The number of professional writers is some orders of magnitude bigger than the number of billionaires, so much so that taking some arbitrary subset of writers of approximately the same size is easily done.

Another counter example (because I'm really nice like that): some contemporary French writers, just from memory:

  • Annie Ernaux
  • JMG Le Clezio
  • Amélie Nothomb
  • Michel Houellebecq
  • Erik Orsenna
  • Virginie Despentes
  • Patrick Modiano
  • Christine Angot
  • Jean Echenoz
  • Sylvain Tesson
  • Marie Ndiaye
  • Virginie Grimaldi
  • Marc Levy
  • Alain Finkielkraut
  • Michel Onfray
  • Mélissa da Costa
  • Andrei Making
  • François Cheng
  • JC Rufin

Yes I know, it's not 43, but I could easily go to my local bookshop and find 180 more, and again 43 billionaires is a lot for 70 million inhabitants. In any case the number of 500 writers in the article is laughable.

But that's not the main point. What gets on my nerves is that the author of the article is cherry picking facts to entertain an idea. I could deliberately try something like "but you know there are more astronauts than true painters" and refute everything opposed to this with No true Scotsman fallacies.

The article proves absolutely nothing and the author makes a mess of logical thinking, while managing to blur what the wider perspective is supposed to be.

[–] [email protected] 5 points 5 months ago

How many of those people are making more than $50k per year at it though?

It’s not “no true Scotsman” if there’s a defined dollar value that makes someone, so to speak, a Scotsman. I mean for all I know you are right and there are plenty who are supporting themselves doing it- but the point is not that writers don’t exist; it is that the number of them who are making a living without some other means of support is way smaller than it should be.

[–] [email protected] -3 points 5 months ago (1 children)
[–] [email protected] 4 points 5 months ago

Come on, have another go! It's fun to critique things and tell people they are wrong; I wanted to have a turn.

[–] [email protected] 13 points 5 months ago

It kind of gets into the napkin math. But it's sort of silly.

If most writers can spend the first third of their career focusing on journalism or some type of corporate writing, and then the middle third on publishing novels or whatever, and then the last third teaching, or maybe just riding the fame of the one book that got turned into a movie... Yeah I think trying to be a writer sounds easier than becoming a billionaire.

[–] [email protected] 17 points 5 months ago

50 authors across the publishing industry who during this four-year period sold more than 500,000 units in a single year

Yikes.

[–] [email protected] 10 points 5 months ago (1 children)

So, what we should take from this is that any foray into any art is useless, therefore we should surrender any and all creative impulse to faceless companies.

Fuck no.

I'd rather distribute my work for free and have it read and enjoyed nonetheless than not write at all.

[–] [email protected] 4 points 5 months ago

This. I just want to write something I'm somewhat satisfied with and have people appreciate it.

[–] [email protected] 10 points 5 months ago (1 children)

Side note, why are substack posts shared consistently, when it looks basically to be blogspam? If I was linking to “billionaire vs books metrics” or whatever, and posted it from blogspot, or tumblr, or even a facebook post, itll be rightly shit on.

But on a substack? Its discussed like it wasnt written by random internet person instead of a valid source

[–] [email protected] 1 points 5 months ago

There are lots of respected and credible people on substack. Mind the author, not the host.

[–] [email protected] 5 points 5 months ago

The secret is to just be a machine that looks human, like Sanderson, fucker writes whole books as secret projects

[–] [email protected] 3 points 5 months ago

This article gives the impression that most people who studied English literature are now considered to be doing some equivalent of flipping burgers.