this post was submitted on 19 Sep 2023
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Alternative Nation: The Fediverse's Alternative and Indie Music Community

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Alternative Nation : The Fediverse's largest alternative and indie music community! All things alternative music, from 80s college rock to today's indie and all the amazing alternative music in between. Welcome home, music nerds!

Some of y'all may remember MTV's Alternative Nation or 120 Minutes, awesome programs & incredible ways to discover #music back in the 80s & 90s...

Welcome, to the Fediverse edition!

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Subscribe, share, & chat!

Share youtube, songwhip, spotify, bandcamp links, music memes, album art, articles, whatever! But avoid links to directly download music (don't want to get Lemmy.world in trouble). Songwhip links always appreciated!

See this post on recs on how to post!

The Golden Rule: Music taste is subjective so don't be a gatekeeping asshole. There's no "bad music", only music you like or don't like.

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🎵 Let's get lost in the Fediverse's record store together! 🎶

Other Lemmy music communities to explore and support:

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founded 1 year ago
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This is our first Weekly Album Club discussion thread! Last Wednesday I passed out our assignment. REM's 1992 follow up to their mainstream breakthrough Out of Time, Automatic For The People

https://lemmy.world/post/4994392

One of the 1000s of band inspired by Velvet Underground that became a band that kicked off a 1000 alternative bands of their own (and is our community header). After taking college rock and literally kick starting the “authenticity” alternative music boom of the 90s, REM returned with this brooding dark album.

https://songwhip.com/rem/automatic-for-the-people1992

So you all had a week, what are your thoughts on AFTP, what it meant for REM, to music, to you? How does it feel in its place in time? And whatever else you want to talk about with it.

Let's go!

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[–] [email protected] 1 points 1 year ago

So I’m listening to aftp again right now and every song is a moody, atmospheric banger. It’s kinda hitting me in the feels. I’m an 80s/90s-genX-latchkey-kid, and right now this album is hitting me.