Zonetrooper

If I'm understanding this correctly, you're looking for fiction that focuses on framing more of cultural and societal shifts than technological changes?

What you're looking for is difficult to find in the framing of Science Fiction because its very framing invokes technological advancement - technology is the application of science, and machinery is the result of technological innovation. Science fiction is, at its core, about how discoveries in science may change the world.

Nonetheless, you may want to look into the sub-genre referred to as "social science fiction". Although it's not going to be devoid of advanced technology, the focus will be more on the social and societal impacts thereof, than the machinery itself.

The problem is honest conservative media is basically gone.

Yep. And it's frustrating, because it also makes it harder to engage with people who are on the edge or might be drawn back to a more sane position, when you can't say "So I read this article, and I think I understand where you're coming from..." when there are so, so few sources which aren't totally divorced from reality.

(moderate left, for reference)

• BBC. Mildly right-wing, very national POV.

• WSJ... sometimes. There's definitely points where they become utterly insufferable, but sometimes it can be helpful for an insight into the approach of a business-centric, right wing POV.

Really, as a moderate lefty, the collapse of the right-wing movement in the US into its current state has made it very difficult to find reasonable sources from the opposing side. Even "mainstream" right-wing sources take a lot of the batshit stuff at face value, or try and excuse off the more overtly insane elements.

Like:

• It has that small-community feel still. I don't see (perhaps because I stay out of a lot of the more tech-ey communities?) the kind of farming, low-effort, generally mediocre content I saw on Reddit.
• Lack of the sense of a hyper-corporatized, "You're only allowed to do things that make us money" sense that's enshittified much of the internet lately. I'm not even sure if Lemmy can be monetized.

Dislike:

• Not yet large enough either. I don't want hundreds of millions of users, but I still miss a lot of the more niche hobby/discussion communities I used to be able to participate in. Even communities for fairly large hobbies or interests can be dead on Lemmy.
• The awful political takes. Everything from typical dumbness up to advocating violence (but it's okay because it's my point). And it's everywhere.

See, this one I like, because it's one of those "man, I know the writers didn't mean it that way, but it makes sense... and it's horrifying!" theories.

The Falcon is so good, because for decades it has essentially had the crippled, half-dead "ghost" of a droid locked inside its computer systems, unable to fully die yet clearly devoid of her true consciousness.

Char Aznable's wild shift in character between the end of Zeta and the beginning of Char's Counterattack can be directly pinned on Kamille Bidan's mental crippling at the end of Zeta and Haman Karm's actions in ZZ.

Char, who always had a rather strong protective streak, more or less pinned his hopes on Kamille as a key to the future. Instead he directly experienced the Newtype backlash of Kamille being mentally crippled, and subequently could no longer sense him. This convinced him that humanity was doomed to eternal conflict, unless it was forced to advance.

Still unable to get over his protective streak, Char then manages to extricate Mineva Lao Zabi, the last remaining Zabi and perhaps the only one who he doesn't actually seem to harbor any hatred towards, to Earth. But Haman just creates a double, which she uses to drag Neo Zeon into yet another war for personal power. This convinces Char he cannot trust the future to anyone else, even after protecting the ones he cares about.

Thus, we reach CCA with a Char who is fixedly convinced of both the need for forced human advancement, and that he alone must be that leader.

Vox Machina, Scavengers' Reign, Genndy Tartakovsky's Primal.

But yeah, one of the last gasps of the streaming bubble was a surge of adult-oriented cartoons which were far and above anything of the type before them. I'm a little worried that that bubble has started to deflate, we'll see this go away.

Tossup between:

• Seeing a sporty little car neatly stacked on top of a full-size sedan at the local shopping mall. Owner had floored it, jumped the curb, and somehow managed to climb atop the sedan. It was remarkable just how little damage there was on the Sedan, relatively speaking.
• Seeing a truck on the highway shoulder, which had somehow managed to roll itself on its side facing the wrong direction. Like, 180 degrees around into traffic and on its side. Somehow it didn't look like other vehicles had been involved.

I think this would be more meaningful if things cash flow and hirelings had any reasonable purpose in 5e. But the reality is most players will have a pretty stable cashflow by level 5, and most campaigns simply don't have a meaningful role for Hirelings to play.

So like, I could see this being a thing in Waterdeep Dragon Heist, which encourages you to acquire a home base and then take a side in a gang war. One building, 4-5 rooms acting as a bastion for each player? I guess. But it's essentially making mechanics for something a lot of DMs did already, and a lot of other campaigns simply don't have a good basis for this.

I'm also kind of underwhelmed by the attacks mechanic. "A random special facility is shut down for your next bastion turn"? So like, I can't ever actually lose anything I put into the bastion, it just stays there even if I have literally no defenses, the attackers overrun the place, and squat in it for 7 days?

One of us, one of us!

I came here to say pretty much the same thing. It's even more interesting when you're working with a future-of-the-real-world setting, and so you actually have to think about how present-day cultures might evolve into the future.

This is the way.

Right? It has such a distinctive look.