I don't even know why I checked the website, I usually don't bother on weekends.
I think the ship is a standard reclaimable, account-wide unlock.
I think it's possible to get a little salty about the state of things without turning the community (such as it is) into a wretched hive of scum and villainy - I think you're in the clear.
It's funny, I don't think the current storyline has been bad, necessarily - just uninteresting. Maybe they were a year or two too late to hop on the multiversal bandwagon, even though it makes perfect sense in a Trek context.
Important note about one of the prizes:
Pulse Phaser Weapon Pack
This pack is account bound, and not reclaimable. It will be granted to the character who claims the Grand Prize.
I, for one, think that everyone better at sports than me should be banned from competition.
I'm pretty ambivalent about her, but I agree it was an interesting performance, particularly for a woman at that time in television.
She was horribly underused - it's downright criminal that she doesn't pay a significant role in "The Measure of a Man."
Let's be honest: at this point, they could make the greatest Star Trek film of all time, and it would only be 1/47 as entertaining as watching the executives at Paramount Pictures stepping on infinite rakes in infinite combinations as they try to make the damn thing.
I think this is an extremely lousy headline, but the content is good.
Firstly, the headline slightly misquotes what Matalas actually said (emphasis added):
“We wrote nine episodes at one point and the network was like, ‘No, we don’t really understand this, it’s a bit too sci-fi, it’s a bit too in-Star Trek.’”
I think a story being a little too "inside baseball" and reliant on stuff from decades ago is a perfectly valid note, especially when we're talking about ideas like this:
The idea was that Guinan’s bar was presented as a normal bar in Los Angeles, but if you knew the right thing to do, you could go into the back through the telephone phone booth and that was Rick’s Café and it was a stopping point for all these different species that were actually there on Earth with a ‘Do not interfere’ thing happening.
The stuff about COVID messing with the writing and shooting schedule is understandable, and created problems that can be seen in many TV shows filmed around that time. All the same, it makes me wish they had decompressed the schedule and not rushed through things as much as they did.
The comments about there being a lot of different ideas in season two are interesting, since I think she overall series' biggest flaw is that it crammed a lot of ideas, many of which I like quite a bit, into only 30 episodes, with few (none?) of them being fully explored.
And regarding the Jurati Borg...I don't know, I never found that confusing in the slightest. I think their intent came through just fine.
I assume they're returning to their truck to retrieve some sort of accelerant.
User flair is unfortunately not a thing on Lemmy, but this is as good a time as any to confirm that we have independently verified that OP is Aaron J. Waltke, writer/producer of Star Trek: Prodigy.
My expectations for this one were high, but I'm really impressed with how well they pulled it off. Tawny Newsome and Jack Quaid did a great job of dialing their performances back just enough, and the SNW cast went just a little bit broader.
Okay...it sounds like they were just looking for an excuse, no matter how flimsy.