ShallowFocus

joined 1 year ago
MODERATOR OF
 

cross-posted from: https://lemmy.world/post/312675

This is my camera, we used it for B-cam on a commercial recently. I had to pull focus and zoom while rolling so I hooked up one of my Nucleus-M handles to the camera and used it like a Preston Microforce. Not the most optimal setup, but it worked for what we needed.

 

This is my camera, we used it for B-cam on a commercial recently. I had to pull focus and zoom while rolling so I hooked up one of my Nucleus-M handles to the camera and used it like a Preston Microforce. Not the most optimal setup, but it worked for what we needed.

 

Gaffer Len Levine takes lighting design to another dimension for the hit sci-fi sequel.

1
submitted 1 year ago* (last edited 1 year ago) by [email protected] to c/[email protected]
 

Matthew Libatique, ASC, LPS trades stylization for simplicity in Darren Aronofsky’s poignant study of a damaged soul.

1
submitted 1 year ago* (last edited 1 year ago) by [email protected] to c/[email protected]
 

Four cinematographers help transform the frightful video game into a hit horror series.

 

One of my favorite films by one of my favorite DP's.

 

cross-posted from: https://lemmy.world/post/249015

Little messy cause I had to find places for all the sounds stuff to fit that we normally don't have to deal with, but it ended up working out pretty well.

 

This is for some social media ads done for a very large potato chip brand doing a collab with another big time athlete

 

Little messy cause I had to find places for all the sounds stuff to fit that we normally don't have to deal with, but it ended up working out pretty well.

 

Some photos from the article:

 

Love having all my tools nearby and accessible at all times.

Another view in the light:

view more: next ›