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A community to discuss, debate, and celebrate the history of cinema, emphasis on—but not exclusively—the groundbreaking, avant garde and experimental, with a healthy dose of irreverence instead of the usual navel-gazing that usually surrounds cineastic appreciation.

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"All is fair in love and war" but keep it witty or, at minimum, intelligent. If you can't do either, keep walking. This community's administrators will not abide simpletons nor bullies.
"Franchise picture" fans and similar ilk, be forewarned: you are open game to be verbally flayed in this public square. Did you not see the name of this community?
There ~~may~~ will be occasionally adult subject matter (NSFW)—such is the nature of the beast. While it is not the scope of this community to purvey nor condone extreme or gratuitous sex or violence, neither subjects are necessarily condemned when in context with the subject matter at hand. It is also not the scope of this community to discuss only adult themes; how else could one discuss Fleming's The Wizard of Oz (1939) or Donen/Kelly's Singing In The Rain (1952)?

It is suggested you do not subscribe if you are highly sensitive to either subjects.
It is strongly suggested that authors of submitted posts mark NSFW content as such. Err on the side of doubt.

All opinions expressed are strictly of the respective authors and do not necessarily reflect those of the moderators of this community nor the administrators of this instance (lemmy.film).

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The Power of Black and White @ Now You See It (lemmy.film)

submitted 1 year ago by [email protected] to c/[email protected]

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🔗🐒 Hi! I'm the MovieSnob LinkMonkey™! 🔗🐒 Enjoy these Google-free links!

Link 1: A Study of Black and White Filmmaking

Link 2: Film Noir: The Case for Black and White

Have you ever heard somebody say "I can't watch black and white movies?" I have a problem with this. Not because some of the most important movies are in black and white but because black and white can do just as much—if not more—than color.

Thanks, MovieSnob LinkMonkey™! Have a banana! And thanks to YouTube Channel Now You See It for both these videos succinctly and smartly analyzing the use and history of black and white in cinema.

Regarding the above opening quote (from the linked Film Noir video), an excellent recent example of this, forgive me if I'm repeating myself, is Robert Egger's 2019 The Lighthouse.

MovieSnob Ad Warning: as some YT vids are want to do, the first link contains promotional content (translated: advertising) fortunately at the end of the video (roughly at 00:13:14). Act accordingly.

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