this post was submitted on 03 Sep 2024
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Abolition of police and prisons

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Abolish is to flourish! Against the prison industrial complex and for transformative justice.

See Critical Resistance's definitions below:

The Prison Industrial Complex

The prison industrial complex (PIC) is a term we use to describe the overlapping interests of government and industry that use surveillance, policing, and imprisonment as solutions to economic, social and political problems.

Through its reach and impact, the PIC helps and maintains the authority of people who get their power through racial, economic and other privileges. There are many ways this power is collected and maintained through the PIC, including creating mass media images that keep alive stereotypes of people of color, poor people, queer people, immigrants, youth, and other oppressed communities as criminal, delinquent, or deviant. This power is also maintained by earning huge profits for private companies that deal with prisons and police forces; helping earn political gains for "tough on crime" politicians; increasing the influence of prison guard and police unions; and eliminating social and political dissent by oppressed communities that make demands for self-determination and reorganization of power in the US.

Abolition

PIC abolition is a political vision with the goal of eliminating imprisonment, policing, and surveillance and creating lasting alternatives to punishment and imprisonment.

From where we are now, sometimes we can't really imagine what abolition is going to look like. Abolition isn't just about getting rid of buildings full of cages. It's also about undoing the society we live in because the PIC both feeds on and maintains oppression and inequalities through punishment, violence, and controls millions of people. Because the PIC is not an isolated system, abolition is a broad strategy. An abolitionist vision means that we must build models today that can represent how we want to live in the future. It means developing practical strategies for taking small steps that move us toward making our dreams real and that lead us all to believe that things really could be different. It means living this vision in our daily lives.

Abolition is both a practical organizing tool and a long-term goal.

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In this Q&A with Prism, the Appalachian Prison Book Project’s Lydia Welker discusses the barriers prisons place on books and why access is worth fighting for

August 28th, 2024

For two decades, the Appalachian Prison Book Project (APBP) has mailed books to people in prisons and jails across six states in Appalachia. More than 70,000 reference, nonfiction, and fiction books have reached people behind bars who would not have otherwise had access to them.

Lydia Welker is the digital communications coordinator for the project, which is run by an all-volunteer team in Morgantown, West Virginia. In 2021, the Appalachian Prison Book Project expanded by creating a pen pal program, facilitating book clubs, and supporting an associate’s degree program at a prison in Pennsylvania. In December 2024, the organization will publish a book of art and letters by incarcerated people with West Virginia University Press.

On the 20th anniversary of the project, Prism’s Ray Levy Uyeda spoke with Welker by phone about the work that has—as she said—changed her perspective on everything she encounters and her outlook on her “entire life.”

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Ray Levy Uyeda: What does it take to send a book to someone in prison?

Lydia Welker: Sending anything—especially books—to people who are incarcerated is extremely difficult. Federal, state, and county governments each have different rules about what can be mailed inside. Individual wardens also have a say, and then it often comes down to the discretion of someone working in the mail room.

The Appalachian Prison Book Project keeps very detailed records about different prisons and jails in the region that we serve. We keep careful records about what books have been rejected and why. Most prisons won’t accept hardback books and won’t accept books that aren’t in “good” condition. If a book has a ripped cover, torn pages, pencil or pen marks, it will get rejected. There are also content-based reasons for rejection. We’ve learned that violence, nudity, and maps are all reasons books won’t be accepted, which can include action books or art books like Michelangelo’s David.

What’s in the package is just as important as what’s on the outside. You have to include the person’s name and their ID number and then their mailing address, and then inside we include a note that says, “This book is free and yours to keep.” That is a very important language that we have to include in each package so it’s not seen as an exchange where someone would need to pay us for that book.

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