Commercials Are Streaming’s New Norm, and Creators Aren’t Happy: “It’s Almost Worse Than Broadcast” : moviesandtv

[–] [email protected] 64 points 9 months ago (1 children)

recently cited that 40 percent of all new sign-ups opt for ads

yeah no, sorry. thats not an endorsement that people prefer ads, thats a testament to people being fucking broke. thanks for making their lives just a little but shittier though.

[+] [email protected] -19 points 9 months ago (2 children)

But if they are broke, why are they paying for TV? The last thing I would do is pay for streaming when money was tight...

I get your point to a degree, but come on, they are saying it simply isn't worth it. 3 streaming services with ads is better than 1 without or something like that.

I mean there are a large number of free services with ads, so that has to be what they are thinking.

[–] [email protected] 19 points 9 months ago (1 children)

People still want leisure in their life and that's cheaper than most other forms of leisure. Just because someone's broke doesn't mean they will inherently not want easy access to entertainment.

[–] [email protected] 3 points 9 months ago (1 children)

It's a money grab. Our Netflix plan price didn't change, but they added ads. I can pay extra to get the same service I used to get.

They are just greedy for money and actively make the product worse instead of better. What better way than to encourage piracy.

[–] [email protected] -2 points 9 months ago (1 children)

netflix money grab

I agree with you. That is what businesses do. So I dump em. Years ago, maybe 2014 I received a Hulu subscription in payment for something I was selling. I started using it, and there were ads! To this day I will not pay for, or even watch for free, Hulu. It is principle with me.

But apparently I am alone on this. I got downvoted massively for saying it looks like people WILL still pay for ads, even if they can barely afford it. That I cannot understand. I wont do it if I can afford it, and I certainly wouldnt do it I could barely afford it. So the businesses win and keep scraping for more revenue.

With hundreds of free (and legal) options with commercials, why the hell would anyone pay for video streaming if they are giving you ads anyways?

[–] [email protected] 0 points 9 months ago

K

[–] [email protected] 34 points 9 months ago (1 children)

So creatives aren't happy. Customers aren't happy. Broadcasters seem happy.

End-stage enshittification confirmed?

[–] [email protected] 4 points 9 months ago

Customers keep paying though. As long as that keeps happening they'll keep doing it.

[–] [email protected] 24 points 9 months ago (3 children)

I canceled cable service for 2 reasons: 1) commercials 2) watching 4 channels and paying for 100

Now with streaming, commercials are back and Im finding it harder and harder to locate decent things to watch.

Not sure where to turn next

[–] [email protected] 20 points 9 months ago (1 children)

You have 2 options. Buy the media on discs, or join us on the high seas.

[–] [email protected] 8 points 9 months ago

I’ve got my own Plex server but I’ve seen everything on it multiple times. Time to dust off the old eyepatch and peg leg, I guess

[–] [email protected] 9 points 9 months ago

Sail the seas, m'boy!

[–] [email protected] 2 points 9 months ago

With the writers and actors strikes this year, I think it'll probably be slim pickens until summer or potentially autumn.

[–] [email protected] 15 points 9 months ago (3 children)

What I want to know is how much money could insurance companies (cough, Liberty Mutual, cough) POSSIBLY be saving people when they are buying ads on every video on Youtube.

[–] [email protected] 8 points 9 months ago (1 children)

I don’t know why but those Liberty Mutual commercials go in one ear and right out the other for me. I have YouTube Red so don’t know those but they sponsor live sports like crazy and one game this year, I was like, “What’s that emu about?” And my friend said, “Dude, they’ve been showing the emu commercials non-stop for like 5 years.”

I just googled it and they debuted the “LiMu Emu and Doug” campaign in 2019. So, it was 4 years before I noticed the emu. It’s good I can ignore ads but I would have definitely died in The Emu Wars.

[–] [email protected] 2 points 9 months ago (1 children)

You may have an issue with selective attention. Have you tried the test?

https://youtu.be/vJG698U2Mvo

[–] [email protected] 3 points 9 months ago

I aced that test but in fairness, I happened to be watching a basketball game when I saw your post and clicked the link. So, I was coming in primed for seeing ball movement and the occasional gorilla popping in frame.

[–] [email protected] 8 points 9 months ago

Libbity bibbity

[–] [email protected] 2 points 9 months ago

I wish I could see a liberty ad.

The only crap I see is "before you buy something on Amazon, see this" garbage.

[–] freamon 14 points 9 months ago

It's guaranteed to be worse: TV episodes are completely structured around whether the creators expect ads, and where in the runtime the ad will be (so they can resolve or tease a plot point before them).

The addition of ads, or having more ad breaks than the original transmitter of a show had, will break the structure.

And then of course there's the 'Spotify question': are these ads genuinely supporting a subscription, or are they there to annoy you into paying for one by disrupting the flow of an episode as much as possible?

[–] [email protected] 11 points 9 months ago* (last edited 9 months ago)

The abrupt commercials take away so much art in the craft.

[–] [email protected] 4 points 9 months ago

Welp, Paramount Plus has the Super Bowl and then Halo S2, which looks like it might be worth watching. After that it goes on the canceled pile with Netflix and "Max."

I only have Hulu and Disney Plus at this point because they're bundled with my phone plan, and Prime because of Amazon. I have Apple TV+ during MLS season.

But otherwise I'll just stick to my Blu-ray collection and sign up for Netflix ad-free or whatever for two months every two years and binge everything worth watching. My backlog is long enough to last me years at this point.

[–] [email protected] 2 points 9 months ago

We should just vote with our wallets.... actually I think I need a new wallet, but right after that yeah.

[–] [email protected] 1 points 9 months ago

This is the best summary I could come up with:

After a swift click on “not now,” this viewer cued up one of the more successful titles currently gracing Amazon’s roster — the second season of beefcake vigilante drama Reacher.

Interruptions, which included a spot for another series (Hudson & Rex, starring a German Shepherd detective) and a reminder from the folks at Intuit Turbotax that filling season has commenced, were indeed limited.

“We fought so hard to get rid of commercials,” says Alan Poul, executive producer and director of Max original Tokyo Vice which returns for a second season on Feb. 8.

Paramount expands its own ad-supported tier internationally later in 2024 — and though no official plans have been announced, recent hires at Apple TV+ suggest the tech behemoth will eventually introduce ads as well.

David E. Kelley, the one-time broadcast golden boy who gave audiences Picket Fences, Chicago Hope and Ally McBeal before pivoting to premiere outlets like HBO (Big Little Lies) and Netflix (The Lincoln Lawyer), seems similarly disenchanted.

Netflix, which recently cited that 40 percent of all new sign-ups opt for ads, announced the “retirement” of its least expensive commercial-free tier in the coming second quarter.

The original article contains 1,205 words, the summary contains 191 words. Saved 84%. I'm a bot and I'm open source!

[+] [email protected] -17 points 9 months ago (3 children)

Where did y'all think the extra money to comply with SAG-AFTRA and the WGA's demands' was gonna come from? Subscription revenue is not elastic relative to the content viewed, so that residual money has to come from somewhere.

[–] [email protected] 19 points 9 months ago* (last edited 9 months ago) (1 children)

Commercial tiers on streaming services predate the terms of the new SAG-AFTRA and WGA deals but nice try blaming unions for corporate greed.

[+] [email protected] -12 points 9 months ago (1 children)

Yep! Never said they didn't.

[–] [email protected] 11 points 9 months ago* (last edited 9 months ago) (1 children)

Then maybe you should stop trying to blame corporate greed on union workers.

[+] [email protected] -11 points 9 months ago (1 children)

I never did in the first place. This is 50% the fault of corporate greed and 50% the fault of a business model that isn't designed to reap funds in the same way that both broadcast and cable television did.

Anyone who thought that these companies would dig into their existing income and margins, especially when these streaming platforms were already mostly in the red, rather than find an income stream that more linearly aligned with the residuals they now must pay was optimistically naive.

[–] [email protected] 9 points 9 months ago* (last edited 9 months ago) (1 children)

I never did in the first place.

Yes, you did. YOU brought up the cost of the SAG-AFTRA and WGA deals in an attempt to justify the need for commercial plans.

Where did y’all think the extra money to comply with SAG-AFTRA and the WGA’s demands’ was gonna come from?

Right there. You said it. So stop this poor attempt at gaslighting. Nobody here is as stupid as you seem to think we are.

[+] [email protected] -7 points 9 months ago (1 children)

At this point I'm starting to think you just don't understand revenue streams and business models so discussing this with you further doesn't sound like something that will be productive, unfortunately.

[–] [email protected] 6 points 9 months ago (1 children)

This from the guy who can't remember what he wrote, nor can he scroll up.

You fell off the high horse a ways back. Pay attention.

[–] [email protected] 5 points 9 months ago* (last edited 9 months ago) (2 children)

Yeah, this isn't my first run in with that person and it's become obvious that they never argue in good-faith so don't expect that. Hell, last week they were pushing far right, racist, culture war nonsense in this community. Frankly, they should've been shown the door then and there.

[–] [email protected] -4 points 9 months ago

Wait, you're this guy??

Kinda rich to be talking about not arguing in good faith when this was the last exchange that we had.

[–] [email protected] -4 points 9 months ago

Not really but okay

It's still funny that y'all can't grasp that for people to be paid fairly for the movies and shows they make, they need to be paid with a revenue stream that lines up with how much people actually consume their art 🤦🏾‍♂️😂

[–] [email protected] 8 points 9 months ago (1 children)

yea, its not like Netflix made $33.7 billion U.S. dollars, with $5.5 billion of pure profit in 2023 alone...

[+] [email protected] -7 points 9 months ago (1 children)

If ten million more people stream The Crown tomorrow using ad-free Netflix plans, where is the residual money for those ten million additional streams supposed to come from?

[–] [email protected] 8 points 9 months ago (1 children)

i... honestly don't know what you mean? If 10 million people stream the crown tomorrow, every one of them is already paying for a membership, so i suggest you take the money from the monthly fee they already pay.

Maybe Netflix brings home only $5b of profit... poor poor billionaires.

[–] [email protected] -5 points 9 months ago (1 children)

That's not profit, but income.

But in any case, this is still a problem, as if any show gets popular enough, Netflix could theoretically owe more in residuals than they're making in monthly subscriptions. Ads are the only way to ensure that the people working on the projects can get paid what they're owed when we watch the media they made.

Look I don't like ads as much as the next guy, but when it comes to making revenue for people working on the shows and movies I watch, there are only two ways to guarantee that those workers get paid: if advertisers cover the residual fees with ads, as they've done for decades now, or through margins of either physical or digital media sales. I love physical media but I'll happily watch ads on shows because it means that the people who made them are getting paid.

TL;DR for any of this to truly work and for the actors, writers, and others to get paid their due, the money needs to come from an income source that generates more revenue when more people consume to media; otherwise, the companies offering these services could theoretically run out of money to pay residual fees.

[–] [email protected] 5 points 9 months ago (1 children)

i agree that everone needs to get paid, but we could say the same thing about an ad supported model, until its 6 hours ads for every hour of show "but what if".

In the end, they are making $5b of net profit (and $12.93b of gross profit), so their profit/liabilities is an extremely healthy 40%!). the increased profits isnt about paying people more, its about increasing their net profit for their shareholders.

[–] [email protected] 0 points 9 months ago (1 children)

I agree to a point. While you're right that the profit/liabilities margin is healthy, and that driving people into ad-supported tiers by raising the cost of ad-free viewing is mostly to keep these companies from having to pay out of existing income streams in order to keep profits as high as possible (even if they're still negative at the moment), I think it's still worth considering that there is a potential for ad free viewing to cause a company to owe more in residuals than they make in subscription revenue if, for example, a ridiculous amount of people stream something for whatever reason.

[–] [email protected] 0 points 9 months ago

(BTW when I'm referring to net income being "still negative" I'm talking about the streaming services, not the companies that own them)

[–] [email protected] 4 points 9 months ago (1 children)

Bullshiiiiiiiiiiiiit

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