this post was submitted on 17 Nov 2023
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And I cannot stress this enough: bury their bones in an unmarked ditch.

Those are original Warhol boxes. Two Brillos, a Motts and a Campbells tomato soup. Multiple millions worth of original art, set on the floor by the front door.

Theres a regular customer whom i do plumbing work for, for the last 3 or 4 years. These belong to her. She also has Cherub Riding a Stag, and a couple other Warhols that i cannot identify, along with other originals by other artists that i also cannot identify. I have to go back to her house this coming Monday, i might get photos of the rest of her art, just so i can figure out what it is.

Even though i dont have an artistic bone in my entire body, i can appreciate art. I have negative feelings on private art like this that im too dumb to elucidate on.

eat the fucking rich. they are good for nothing.

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[–] [email protected] 1 points 11 months ago* (last edited 11 months ago) (1 children)

Warhol's fed-subsidized works are bleak-yet-pretentious trash that have had a negative impact on the art world ever since and I'm tired of pretending otherwise. youre-awful

In academia, just saying that out loud is likely to make the tenure-track art teachers lose their shit. So much for "subversion" when Warhol's old cynical money printers have been the norm for decades. brrrrrrrrrrrr

[–] [email protected] 1 points 11 months ago (1 children)

Post modernism wad funded by feds but that doesn't make it wrong or bad it just made it a less dangerous outlet for left leaning people during the time. Warhol was a crap person but his art was essential in mainstreaming ideas about art. He was like a Wes Anderson level guy so you get what you get. I'm not like..a fan but also have to admit he's a huge inspiration to my own artwork through others. Like post modernism in general I've got a weird relationship that I'm working on adequately explaining but that's like, a whole project.

[–] [email protected] 1 points 11 months ago

My problem is that even the vestiges of the subversive/rebellious roots of it are the establishment now. They're the big money in the art world and have been for generations. The tenured professors of art are almost universally on board and in agreement about the seemingly inexhaustible (yet exhausting) novelty of Warhol's work roughly a half century ago.