this post was submitted on 22 Jun 2023
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[–] [email protected] 52 points 1 year ago* (last edited 1 year ago) (19 children)

i'm just glad this whole thing is over. what a sick world we live in where five billionaires in a submarine sparks wall to wall coverage and five hundred migrants lost at sea gets barely a passing mention

[–] [email protected] 18 points 1 year ago (6 children)

I think it's more how uncommon the situation is, the complexity and odds of the rescue, and the 'ticking clock' effect that came from them only having 96 hours of oxygen. Stories need to be interesting to get mass media coverage (look at the Tham Luang cave rescue - none of them were billionares), and, as incredibly bleak as this sentence sounds, a boat capsizing with hundreds onboard just isn't interesting enough.

[–] [email protected] 3 points 1 year ago (1 children)

There's also a sort of morbid fascination and curiosity that comes from a situation this unique. I definitely agree that of course the sinking refugee ship should have gotten far more help and attention, but I think the "morbid curiosity" element is certainly part of why this got so much attention. The whole situation of paying a fortune for visiting the Titanic in a janky unregulated submersible and then vanishing underwater is...bizarre, and surreal, in a way that captures attention

[–] [email protected] 3 points 1 year ago

I still can’t get over how janky that tin can felt to me when I was looking into it. Not even getting into the safety cuts, the whole picture felt cheap. The Poop-Bucket a foot away and audibly masked with turning up the music; five people sitting cross-cross applesauce on basically an exercise mat in cramped real estate; working with two desktop monitors and a Logitech controller; the CEO explicitly bragging about cutting corners and breaking rules.

I think that even if the sub more closely resembled expectations and even if the CEO was on top of safety, the story would’ve still been a quick sell on mass media. A sub exploring the Titanic going missing invokes the kind of visuals and what-ifs that start to depart reality and arrive to movie territory. Add the schadenfreude to it and the minivan as described above and that movie becomes a sort of dark humor comedy blended with horror.

I think that this story makes for a good sideshow to gawk at. It’s also a good vehicle to laugh at the rich. The shipwreck in the Mediterranean, as much as it demands our attention in contrast, is much more grounded in reality—hard and painful realities—that I think a sizable chunk of society gets squeamish about. It demands we answer questions and take actions that certain someones would rather we don’t.

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