Men's Liberation
This community is first and foremost a feminist community for men and masc people, but it is also a place to talk about men’s issues with a particular focus on intersectionality.
Rules
Everybody is welcome, but this is primarily a space for men and masc people
Non-masculine perspectives are incredibly important in making sure that the lived experiences of others are present in discussions on masculinity, but please remember that this is a space to discuss issues pertaining to men and masc individuals. Be kind, open-minded, and take care that you aren't talking over men expressing their own lived experiences.
Be productive
Be proactive in forming a productive discussion. Constructive criticism of our community is fine, but if you mainly criticize feminism or other people's efforts to solve gender issues, your post/comment will be removed.
Keep the following guidelines in mind when posting:
- Build upon the OP
- Discuss concepts rather than semantics
- No low effort comments
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Assume good faith
Do not call other submitters' personal experiences into question.
No bigotry
Slurs, hate speech, and negative stereotyping towards marginalized groups will not be tolerated.
No brigading
Do not participate if you have been linked to this discussion from elsewhere. Similarly, links to elsewhere on the threadiverse must promote constructive discussion of men’s issues.
Recommended Reading
- The Will To Change: Men, Masculinity, And Love by bell hooks
- Politics of Masculinities: Men in Movements by Michael Messner
Related Communities
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Kinda off-topic but since you're talking about Adventure Time's legacy I have to bring this up. It all started with Flapjack, really.
I can't see that reddit post without downloading the app, but I think I understand.
With Flapjack, I know that Quintel. Was involved too and he went on to do Regular Show, which ran largely parallel to Adventure Time. A lot of shows in that era of CN I lump together: Flapjack, Chowder, Foster's, Regular Show, etc. They're all fine, often with similar and interesting visuals. I think if you're just looking at technical aspects like the animation, the use of textures, sureal world building, and more you can draw that back to Flapjack.
But I think there's a huge gap in the writing. Those other shows are mostly just "hijinks of the day". The writing isn't all that different from shows throughout the 90's and 00's like SpongeBob, Billy & Mandy, Johnny Bravo, Dexter's Lab, CatDog, etc. That's where I think Avatar really pioneered, and Adventure Time differentiated itself. Tackling heavy emotional topics in a way that was accessible to a young audience, almost educational with regards to emotional intelligence. Getting children to think and feel complex things instead of just re-hashing the same 2 dozen episode tropes. I never cried watching a Flapjack episode, for example.
I don't mean to say that it wasn't done before Avatar. Samurai Jack is notable for going an entirely different direction. Or you can point to Japanese anime (a lot of which gets referenced by these later shows, like Evangelion). Even when it comes to Adventure Time, I would point to Over the Garden Wall as a stronger influence in terms of what made AT unique than Flapjack (though McHale worked on all 3). I didn't bring up OtGW earlier because it doesn't really have many examples of positive or negative masculinity, but it does have a lot of dark themes and some serious character development.