datahoarder
Who are we?
We are digital librarians. Among us are represented the various reasons to keep data -- legal requirements, competitive requirements, uncertainty of permanence of cloud services, distaste for transmitting your data externally (e.g. government or corporate espionage), cultural and familial archivists, internet collapse preppers, and people who do it themselves so they're sure it's done right. Everyone has their reasons for curating the data they have decided to keep (either forever or For A Damn Long Time). Along the way we have sought out like-minded individuals to exchange strategies, war stories, and cautionary tales of failures.
We are one. We are legion. And we're trying really hard not to forget.
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So, I bought an EasyCap device and ran some tests. I encountered a few things that I don't quite understand, and I would really appreciate your input!
I used a test VHS tape that I purchased at a thrift store (I'm not 100% sure if it's NTSC or PAL, but I'm decently confident that it's NTSC) (I'm also not sure what its aspect ratio is — I think it's either 1.33:1 or 4:3). I'm playing the tape in a PV-D4745S-K VCR. I have the composite out of the VCR going into the aforementioned capture device which is connected to a computer running Arch Linux.
First, I used the following ffmpeg capture settings:
After capturing a short snippet of the test tape, I probed its metadata with
ffprobe -i out.mkv
, and saw that it was strangely in 25FPS, and 720x576 (which caused the video to be stretched vertically slightly), which is PAL. So, somehow the NTSC VHS being played in an NTSC VCR was being converted to PAL. In addition to that, the colors in the video were very overexposed. I tried a bunch of different manual settings like specifying interlacing with-vf "interlace"
,-standard ntsc
,-vf scale=720:480
,-vf fps=29.97
,-standard NTSC
, and none of them solved the issue. I then came across this answer on StackOverflow which stated that capture cards themselves have settings for the video feed, and ffmpeg can modify them with the-show_video_device_dialog true
option. From the ffmpeg documentation:Unfortunately, when trying this option, an error popped up saying that the option was unrecognized. After some digging, and prompting ChatGPT, I found that apparently that option is Windows only as it relies on Windows' "DirectShow system". The way to modify it in Linux is to use the Video4Linux2 framework, which is controlled with
v4l2-ctl
. So, I ran the following:which showed the following entry:
So it is able to output NTSC — ie 720x480 at 29.97fps (I guess it rounds up the fps for whatever reason). So I then tried
and it was able to output the video at 720x480 29.97 fps as desired, and the colors were no longer super overexposed. Using the
-vf "interlace"
flag, I do seem to also be able to capture interlaced video, so it also doesn't force progressive which is nice.I thought that the capture card would be able to just autodetect what the input resolution was to allow ffmpeg to record at that, or at the very least, I would expect that specifying NTSC in ffmpeg would force the standard, but neither of those worked and I'm not sure why. There's also still an ongoing issue of the video being zoomed in/cropped slightly (I verified this by comparing against online sources of the same video (some were a VHS rip, others from non-VHS sources)). I tested the VCR's output on a regular TV, but unfortunately the TV forced 4:3 and cropped it even more, so I wasn't able to make a perfect comparison, though that was only additional horizontal cropping — the vertical cropping from before was still present. To be able to verify that, I'll have to pick up another test VHS tape to see if perhaps the test VHS tape that I currently have was just recorded in a cropped format.
With the
interlace
filter, make sure you get the field order right. I used not to be so familiar withffmpeg
and I ended up using some GUI program I can't remember back in the day. See if the driver has an option for no deinterlacing because that happens at driver level.There is no difference between 1⅓:1 and 4:3, they're just different representations of the same thing. Rounding the ratio to 1.33 produces a negligible difference but I would stick with 4:3 for a simpler pixel aspect ratio of 9:8 (1.125} as opposed to 150:133 (1.12782), assuming the capture is 720x480i60.
As for the zoom, TVs will have some overscan because different equipment caused various borders but the capture card should capture all 480 lines. You can check that the output is not vertically scaled by taking a snapshot in a high-movement scene (beware that most image formats are limited to square pixels so better force a PAR of 1:1 for this purpose) and observing if the interlacing indeed causes 1:1 combing as expected. Checking for horizontal crop can be done with another video source (camera, DVD player, STB, game console) generating a test pattern or at least a known image. However, if the vertical scale is correct and the content aspect ratio looks subjectively fine at 4:3 SAR, the crop is most likely OK.